XXXI. The Mission of Truth

Anyone who takes [Pandora] in hand [and lets it sink in], attentively and without prejudice, will recognize one of them. Oh, there are not many works in which the content is evaluated in such a wonderful way, in keeping with the style. It is the one in this work that can be called the light artistic hand. Read “Pandora” and, if you imbue it with your sense of style, you will admire the ease with which everything is shaped to suit the person and situation in question, whether in the verse structure or in the diction. One person speaks in this verse form, the other in a different, more lightly flowing style. Everything is easy in this “Pandora”. It is precisely in this that the greatness of Goethe having to leave this work a fragment is revealed. Even with a Goethe, such a powerful artistic accomplishment as that evident in “Pandora” is only possible for moments. Even for Goethe it was only sufficient for the beginning of Pandora; but then he lost his way, for he was too small to continue the work in the greatness that inspired him as an artist when he created the beginning. But that should not deter us from recognizing the greatness that is present in Pandora.