1. The World View Of German Idealism. A Consideration Regarding Our Fateful Times

In Schelling, we find how the whole of external nature becomes something for him – I would like to say – that stands before his soul as a human physiognomy stands before our soul. We do not merely perceive it by describing individual lines, by characterizing its expression, but we perceive it in such a way that we perceive the soul speaking through it in it, in its inwardness, and allow ourselves to be affected by what is behind the physiognomy as the soul-like. Thus, what is spread out before man in nature, in its wonderfully deep unity, becomes the great physiognomy of the world soul that Schelling tried to decipher. But because he sets out in the strictest sense of the word to create everywhere: by enjoying nature and observing it, he can only create as much as was already revealed by nature according to the character of his time. This general character of human soul-creation, insofar as the soul-like is a reflection of nature's creation, that is what Schelling reveals. But while man stands in relation to nature in such a way that all his deepening of his soul life cannot replace for him the direct experience, the loving engagement with phenomena, insofar as one can observe them, Schelling believes that he can create more from within about nature than the mere predisposition for observation. Once again, with the error of a great spiritual virtue, he grasps a nuance of the world view of German idealism in a one-sided way!