8. The Myth of Heracles

GA 87/1901-12-28/p047 ·1901-12-28 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Auch wenn die Mitschrift noch nicht die später übliche Genauigkeit aufweist» (Even though the transcript does not yet have the accuracy usual later). The publisher's description of the volume, as mirrored on AnthroWiki (GA 87), which calls the cycle the earliest of which a listener's transcript exists. The translation is the maintainer's, not a published one.

[ Answer:] The origin of tragedy has been sought in the origin of tragedy in Greek life. In Wagner's camp, it is clear that in late Greek times there was still an idea of what the mere shadow of the mysteries, tragedy, was all about. We can see this from Aristotle's description of tragedy and epic. What he writes about it has been incredibly misunderstood. A myriad of books have been written with conjectures about what he might have meant by "purification through fear and pity". Through catharsis we are purified from fear and pity. One cannot know what catharsis represents if one does not consider it on the basis of the wisdom of the Mysteries, the Mystery Being. The passions were calmed by soothing music. Only then did the players appear. This is the first stage of the initiation process. Tragedy presents this process to us exoterically. It is the shadowed great catharsis within the Greek mysteries. If one reads Aristotle's poetry, the "Poetics", with this presupposition, then one can also understand what Aristotle was able to say. Without this background, it is completely worthless.

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Cite: GA 87/1901-12-28/p047 · edition English