Richard Wagner and Mysticism
GA 92/1907-12-02/p008
·1907-12-02
·
English
MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Sechzehn Vorträge, gehalten in Berlin, Köln und Nürnberg in den Jahren 1904, 1905 und 1907 (Hörernotizen)» (Sixteen lectures, given in Berlin, Cologne and Nuremberg in 1904, 1905 and 1907 (listeners' notes)). The volume's subtitle as given in the publisher's description, mirrored on AnthroWiki (GA 92); the 2022 catalogue's subtitle omits it. The translation is the maintainer's, not a published one.
To Richard Wagner the tones of outer music were an expression, a revelation of an inner music, of spiritual sounds and harmonies which pervade the created universe. He felt the reality of this music and stated it in words. On another occasion he said something similar in connection with instrumental music ( Eine Pilgerfahrt zu Beethoven): “The primal organs of creation and of nature are represented in the instruments. What these instruments express can never be defined in clear, hard-and-fast terms, for once again they convey to us those archetypal moods arising from chaos in the first days of creation, when as yet there was no human being to receive them into his heart.”
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