Richard Wagner and Mysticism

GA 92/1907-12-02/p045 ·1907-12-02 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: listeners' notes. Written from listeners' notes, summaries, or memory rather than a shorthand transcript. The wording is the note-taker's as much as Steiner's: weigh a single striking phrase here far more cautiously than the same phrase in a stenographic volume, and do not rest an argument on one word. Evidence: «Sechzehn Vorträge, gehalten in Berlin, Köln und Nürnberg in den Jahren 1904, 1905 und 1907 (Hörernotizen)» (Sixteen lectures, given in Berlin, Cologne and Nuremberg in 1904, 1905 and 1907 (listeners' notes)). The volume's subtitle as given in the publisher's description, mirrored on AnthroWiki (GA 92); the 2022 catalogue's subtitle omits it. The translation is the maintainer's, not a published one.

And now let us see how this sublime ideal lived on the heart and soul of Richard Wagner.—In the year 1857, on Good Friday, he was standing on the balcony of the summer-house at the Villa Wesendonck and as he looked out over the landscape he saw the budding of the early spring flowers. The sight of the young plants revealed to him the mystery of the Holy Grail, the mystery of the coming-to-birth of all that is implicit in the image of the Holy Grail. All this he felt in connection with Good Friday and in the mood that fell upon him the first idea of Parsifal was born. Many things happened in the intervening period but the feeling remained in him and out of it he created the figure of Parsifal—the figure in whom knowledge is sublimated to feeling, the figure who having suffered for others, becomes “a knower through compassion.” And the Amfortas-mystery portrays how human nature in the course of evolution has been wounded by the lance of defiled love.

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Cite: GA 92/1907-12-02/p045 · edition English