I. Examination of Anthroposophic Literature

It comes from something that one can perhaps only correctly notice with Friedrich Lienhard when one attempts to evaluate art today which one should always do—so as to realize that there is something which has been completely extinguished from the consciousness of mankind: people no longer are able to evaluate artistic representations. Today they focus completely upon the content of the art, on its representation characteristics and allow that to work on them, but they fail to realize that the important thing is the formal element, the artistic formal element of what is being attempted, not the content so much but how the ideas and the feeling come together, how they undulate in waves and then dissipate. It is very important to see how the poetic language comes into existence in the actual undulation of the waves. In Lienhard you can see quite readily how in the poetical expression of his experiences there is a swaying of the ruling of elemental spirituality, a sort of participation of the poetic soul with that which we would characterize as something which lives in an elementary way in the ether world behind the pure sense existence when the etheric element is brought to manifestation in a natural way as, for example, in the expression of the soul life of young children. If you follow the words of Friedrich Lienhard in a literal way, it appears as if the elementary spirits want to move on further through these words, they sort of ripple through, warm through, weave through all this natural phenomena and this rippling, this warming, this living, this weaving through of elementary beings in relationship to nature continues itself with such a poet who understands how to really live with the spirit of nature.