Lecture XXII

Now it is significant that the so-called dead do not appreciate such concepts. They do not appreciate sharply-defined concepts which are immobile and lifeless. One can learn some extraordinary things, some very interesting things in this connection—if I may be permitted to use such commonplace and banal expressions for these venerable circumstances. As you know, for we have gone through all this together here, I have recently been endeavouring to discuss, using lantern slides, all kinds of considerations about periods in the history of art. I have been endeavouring to find concepts for all kinds of artistic phenomena. To communicate through speech one has to find concepts. Yet I have constantly felt the need to avoid firm, clearly-defined concepts for artistic matters. Of course, for the lectures I had to attempt to define the concepts as far as possible, for they have to be defined if they are to be put into words. But while I was preparing the lectures and formulating the concepts I must say I had a certain aversion, if I may use this word, to expressing what had to be said in such meagre concepts as have to be used if things are to be expressed in words. Indeed, we shall only understand one another in these realms if you translate what has been expressed in close-textured concepts back into concepts of which the texture is less clearly defined.