Eurythmy Performance

GA 277d/1924-04-21/p013 ·1924-04-21 · English MediumMedium alignmentSome paragraph re-numbering between this translation and the German original — the locus may slip by a paragraph or two.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Spoken language, especially among civilized peoples, has something conventional, something abstract, and so on. The soul no longer lives entirely in language, but in enthusiasm, which is usually something generally nebulous; what the poet wants actually lives there. That is brought out. Enthusiasm made pictorial, made truly pictorial in human beings—that is eurythmy again. So that when a poem is presented here, you can also say: what lives in the poet's enthusiasm – and when we think of enthusiasm, we imagine something generally nebulous – is brought to life, made vivid, and emerges in the arm and hand movements, in the leg movements of the groups. That is the specific thing that lies behind the whole poem. - And likewise, it is the musical enthusiasm that finds expression in eurythmy. This really comes about through this eurythmy.

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Cite: GA 277d/1924-04-21/p013 · edition English