8. The Harmony Between Spiritual Science and Natural Science and the Misconceptions about the Former and the Building Dedicated to it in Dornach

GA 70b/1916-01-14/p034 ·1916-01-14 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

And yet, in context, one had to be with all of reality. Therefore, such window artworks, as they have existed in the past or still exist today, could not be created from the old art of windows, but rather a kind of window etching, if one may call it that, was used. Different glass panels, different colors, but each one in a single color. The figurative is now worked into this, and it is worked in in such a way that only thickening and thinning achieve what is artistically intended. And then the sunlight shining in will interact with this, that is, that which works and weaves in nature itself, to make art complete. There, nature and art will intertwine into a single work of art.

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Cite: GA 70b/1916-01-14/p034 · edition English