8. The Harmony Between Spiritual Science and Natural Science and the Misconceptions about the Former and the Building Dedicated to it in Dornach

What cannot be understood, however, is how people can enter the lecture hall in Dornach and say: “Everything inside is mysterious, full of symbols, full of special signs.” There is not a single sign, not a single symbol inside. Rather, an attempt has been made to answer the question, “How should the thought be if it were to flow into artistic forms?” The nonsense that is otherwise often indulged in, let us say, in theosophical circles, the search for all kinds of mysterious signs, to which everything imaginable is attached and in which something artistic or an artistic surrogate is sought – all that has been avoided in this building. And everything is dissolved into artistry. That is precisely what has been attempted. Nowhere should the mere thought be effective. And this could happen all the more since the thought, which otherwise seeks the allegorical, the symbolic, when it strives out of sensual reality, cannot, after all, get out of the pictorial, the unreal, the merely conceptual. When this thought often seeks the symbolic, the allegorical – the living thought that becomes one with the [gap in the transcript], it can express itself directly in art, so that art in forms, in colors and so on, lives out in external reality. That which was to be depicted [in this building] was not depicted in all kinds of artistic surrogates such as allegories and symbols and the like. It is therefore surprising when people look at the things and, although they cannot see a single symbol, talk about all kinds of mysteries, all sorts of signs and the like that can be seen in this Dornach building.