10. The World View Of German Idealism. A Consideration Regarding Our Fateful Times

If for Fichte the divine essence is something that permeates the world – I would like to say – like a great weaving and working morality, then for Schelling the divine essence is first of all the great artist who, out of the artistic weaving of his own being, first confronts nature in order to see his own truth, his own being and working in the mirror of nature. For Schelling, God's work of art is nature. No natural science that is to be abstractly intellectual - a natural science that works in such a way that with every idea that is brought forth about nature, the human soul feels at the same time related to nature. But Schelling feels this nature in such a way that he says: Now man has emerged, now other animated beings have emerged in nature. But all of nature had preceded this, as it were, as the unconscious and subconscious, which had to be present beforehand like a skeleton. The whole spiritualized world view is nature; as the past and at the same time as the solid ground for the present; as the past in terms of material on which the spirit can stand, having prepared its existence in the existence of nature. And so, for Schelling, nature and spirit grow together, but they grow together in such a way that what lives out of Schelling as a world view of German idealism is again connected to the entire personality, not just one-sidedly with the sentient soul, one-sidedly with the consciousness soul, one-sidedly with the mind soul, but out of the fullness of the soul's being. One would like to say: This whole Schelling was there.